Specifications and Explanations

These artworks are created by a combination of very old and very new technology. The original paintings are painstakingly done in watercolor and gouache (opaque watercolor) on hot press watercolor paper. The works are then digitally captured in very high resolution, and carefully color corrected. A design layout is made with image placement, type selection, and any subtle background color changes made to enhance the beauty of the work. A series of test prints are run, making nuanced color and value changes, and these prints are compared for final selection.

The selected versions are then printed using very specific color management settings, on 100% mould made cotton fiber paper, that is acid, lignin, chlorine free, and ph buffered with calcium carbonate. The printer uses the most up to date 8 color ink jet technology and newest lightfast pigmented inks to ensure that the artwork will last for 100+ years when displayed under glass and exposed to average indoor light levels. This process, which is often referred to as “Giclee,” produces an image that rivals the original, and makes an extremely detailed, color faithful and, in this case, archival print.

These are not limited editions, ( With the exception of Sweet Pitcher Plant and Violet Butterwort) although the artist reserves the right to stop production of any particular print, at any time, as new works are added to the list of what is available. Limited edition prints and unique prints may be issued in the future. Each work is printed separately, one at a time, hand cut off the roll of paper that feeds the printer, and inspected by the artist for quality. Each print is then signed, dated, and embossed with the chop mark of the artists atelier that adds final authority to the origin of the print.

WHEN YOUR PRINTS ARRIVE

It is not possible to see the level of detail and color these prints have by viewing the online images. Suffice it to say that when you receive your print, you can expect a far superior image than what can be apprehended on the website. I am confident in the quality and beauty of these prints, and in my customer’s satisfaction. Most prints are shipped gently rolled with a slip sheet, inside a sturdy cardboard mailing tube. They are very carefully packaged so little movement can occur during shipment. With your print you will receive a Certificate of Authenticity signed by the artist and more detailed information regarding the care and framing of the artwork.

If you are not satisfied with your purchase, return it, undamaged, in its original container, with the original packaging material, within 60 days of your purchase date, for a refund. Shipping and handling charges are not refundable.

RECOMMENDATIONS FOR MATTING AND FRAMING

All mat boards, backing material, and hinging tape should be acid free for the best longevity and to eliminate possible discoloration and embrittlement from acids. UV glass or UV plexiglass will add even more protection from long term effects of light.

Try not to touch the image side of the print when handling, as the natural surface of the paper easily catches dirt, oils and other substances that may be transferred by hands or other surfaces. Water will stain the print. Be very careful handling and moving the print as the paper is easily creased. If you received your print rolled, you can gently unroll it onto a clean flat surface, and keeping the slip sheet on the print, place several books on top so that the print stays flat. Keeping it like this overnight should relax the curling and allow it to lat flat. Alternatively you can keep it rolled until you take it to the framer.

Display in a place where it will not receive full sun. It is common for museums to display works on paper in subdued light.

For More information go to www.carnivorousplants.org, the web site for the International Carnivorous Plant Society.